Sunday, June 23, 2013

AT&T cuts smartphone prices in half, jumps on the discount bandwagon

AT&T cuts smartphone prices in half, jumps on the discount bandwagon

If you're looking for a new smartphone, this is apparently the weekend to go shopping. Following Radio Shack's promise to chip in a $100 Google Play credit with purchase an HTC One and Walmart's deep iPhone discounts, AT&T has quietly tacked on a 50% discount for phones under $199. This puts devices like the HTC One, Samsung's Galaxy S4 (and the S4 Active), the Note II, both of BlackBerry's latest handsets and iPhone 5 at an enticing $100. Naturally, Ma Bell has attached the usual hooks: the deal necessitates a new 2-year agreement or contract renewal, and in-store purchases require a trade-in device to activate the discount. Not a bad deal if you're hankering for new hardware -- just make sure you don't walk away with buyer's remorse.

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Via: TUAW

Source: AT&T

Source: http://www.engadget.com/2013/06/23/atandt-cuts-smartphone-prices-in-half/?utm_medium=feed&utm_source=Feed_Classic&utm_campaign=Engadget

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Egypt court: Brotherhood members planned jailbreak

CAIRO (AP) ? An Egyptian court on Sunday said Muslim Brotherhood members conspired with Hamas, Hezbollah and local militants to storm a prison in 2011 and free 34 Brotherhood leaders, including the future President Mohammed Morsi.

The court statement read by judge Khaled Mahgoub named two members of Morsi's Muslim Brotherhood ? Ibrahim Haggag and Sayed Ayad ? to be among the alleged conspirators in the attack on Wadi el-Natroun prison on Jan. 29, 2011.

It is the first statement by a court that holds members of the three Islamist groups ? the Egyptian Muslim Brotherhood, the Palestinian Hamas, and Lebanon's Hezbollah ? responsible for a series of jailbreaks during the chaos of Egypt's 2011 uprising. Two other prisons in which Hamas and Hezbollah members were held were also attacked.

Morsi and other Brotherhood leaders have maintained that they were freed by local residents. Hamas, the Palestinian chapter of the Brotherhood, has denied involvement in the attacks on prisons.

The court statement is likely to further fuel opposition to Morsi's rule just a week before his opponents are scheduled to stage massive protests to force him out of office. The planned June 30 demonstrations mark his first anniversary in office as Egypt's first freely elected leader.

The past year has seen growing polarization as Egypt struggles with a host of problems that many accuse Morsi of failing to effectively tackle. They include surging crime, rising prices, power cuts, fuel shortages and unemployment.

Morsi has not spoken publicly about his escape from Wadi el-Natroun since he gave an account of what happened in a frantic phone call he made to Al-Jazeera Mubasher TV moments after being freed.

"From the noises we heard ... It seemed to us there were (prisoners) attempting to get out of their cells and break out into the prison yard and the prison authorities were trying to regain control and fired tear gas," Morsi said in the call.

By the time they got out, the prison was empty, and there was no sign of a major battle, he said.

The prison breaks took place during the 18-day popular uprising that toppled the 29-year regime of autocrat Hosni Mubarak. The breaks led to a flood of some 23,000 criminals onto the streets, fueling a crime wave that continues to this day. Among those who escaped were around 40 members of Hamas and Hezbollah as well as the 34 Brotherhood leaders.

A total of 26 top police, prison and intelligence officials have testified before the court, which held its hearings in the Suez Canal city of Ismailia. Some gave their testimony in closed session.

Haggag and Ayad, the two Brotherhood officials named by Mahgoub, took part in the attack on Wadi el-Natroun with "those (foreign) elements who violated the sovereignty of the Egyptian state and its territory in addition to spreading chaos throughout the republic and terrifying unarmed civilians at their homes by releasing thousands of prisoners who are danger to society," the court statement said.

The case began in January when a former inmate appealed a three-month sentence passed by a lower court that convicted him of escaping Wadi el-Natroun. The defendant was acquitted by judge Mahgoub, who on Sunday referred to prosecutors the testimonies and evidence gathered during the trial on the jailbreak at Wadi el-Natroun in order "to reveal the truth and honor the state's right to mete out justice."

There was no immediate word from the office of the country's top prosecutor on whether his office planned to take up the case.

In Egypt's polarized political climate, Morsi's opponents have been using his escape from Wadi el-Natroun against him, saying friends of the Brotherhood violated the country's security and fed its instability. The eagerness of some in the intelligence and security agencies to blame Hamas could in part reflect resentment of the Brotherhood's ties with the militant group, which they have long seen as a threat.

The Wadi el-Natroun prison in which Morsi and his Brotherhood comrades were held is part of a four-jail complex northwest of Cairo. A total of 11,171 inmates were released from the complex. Thirteen inmates were also killed, according to Mahgoub, who said the attackers used machine-guns mounted on pickup trucks and SUVs as well as huge earth-moving vehicles that demolished parts of the walls and gates.

Mahgoub said the attackers also seized large amounts of firearms belonging to prison guards. He said allies of Hamas in Sinai prepared for the entry of its fighters into the Egyptian peninsula with attacks on Jan. 25, 2011 against security forces on the Sinai side of tunnels running under the border with Hamas-ruled Gaza. Fighters from Hamas and Hezbollah crossed into Egypt on Jan. 28, he said.

The 34 Brotherhood leaders were arrested early on Jan. 27 and arrived in Wadi el-Natroun shortly before their escape, said Mahgoub.

The last two hearings of the trial witnessed scuffles between supporters and opponents of Morsi. Sunday's hearing was held amid tight security with stringent control over who gets to enter the tiny courtroom.

Source: http://news.yahoo.com/egypt-court-brotherhood-members-planned-jailbreak-093513553.html

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Trial provides portrait of Jackson as a father

LOS ANGELES (AP) ? Courtrooms have supplied the epilogue to Michael Jackson's life. They've provided the forum where his debts have been settled, his final days dissected and his life depicted as a cautionary tale.

In nearly four years of court proceedings, two juries have watched Jackson come to life on video screens. They've watched him spin, dance, and then disappear. They've heard his voice, seen his handwriting and viewed photos of his lifeless body.

His role as a father has been described in little more than platitudes. Until now.

The jury hearing a civil case filed by the superstar's mother ? against AEG Live LLC, the promoter of Jackson's ill-fated concerts ? are experiencing details of a world previously held under lock and key. They've heard of extravagant birthday parties, secret family outings and the leg-clinging devotion of his children.

Jackson shielded the youngsters from the public eye, home-schooling them and often hiding their faces in public.

Away from the cameras, Jackson tried to create an environment of love, attention and special moments for his children, Michael Joseph "Prince" Jackson Jr., Paris-Michael Katherine Jackson and Prince Michael "Blanket" Jackson.

The following are some of some of the stories they've told. They present a portrait of Jackson as a father that outsiders never saw.

___

The final month of Jackson's life was a busy time. There were rehearsals for "This Is It," planning meetings and film shoots for a series of mini-movies that would precede some of his greatest hits at the London shows.

Jackson brought his children to the shoot for a "Smooth Criminal" video that culminated with Jackson leaping through a window while being shot at by Humphrey Bogart.

Alif Sankey, a backup dancer on the original video who was working on the comeback concerts, sat next to Paris during the shoot. The 11-year-old wanted to share a secret and opened up her purse.

It was filled with candy, Sankey recalled.

Jackson didn't want his children to eat sweets, and Paris asked Sankey to keep it quiet.

The dancer noticed something else inside the purse ? tiny picture frames with images of her father.

"Her purse was full of candy and pictures of Daddy."

___

Despite being home-schooled, there was no shortage of companions for Jackson's children.

Chef Kai Chase recalled numerous pets in the mansion that Jackson was renting while he prepared for his "This Is It" shows.

There was the talking bird, Siberia, who whistled at pretty women.

The children also had a chocolate Labrador named Kenya, whom Chase bought a cookbook for so she could bake him treats and a birthday cake. Two cats, named Katie and Thriller, also roamed the house.

During opening statements of the civil trial, some of the jury's first exposure to life in the Jackson home came from footage shot on a Christmas morning several years ago. Jackson's ode to his children, "You Are My Life" played as jurors watched a video of a Christmas morning from years ago of Prince, Paris and Blanket gleefully receiving their gifts, which included the puppy, Kenya.

___

Chase had been working at Jackson's home for only a few days when it came time to prepare for Paris' 11th birthday.

She wanted a Michael Jackson-themed party.

All around the dining room, posters of the King of Pop were hung alongside album covers and other pictures. Jackson's hit songs played as the family ate cheese pizza, hot wings and banana splits, Chase recalled.

Paris' birthday cake was decorated with Lilo & Stitch, her favorite Disney characters. But the festivities weren't over.

Jackson escorted the children into the backyard, where they watched a private Cirque du Soleil-style circus, complete with men on stilts and a woman performing in a giant balloon.

Chase watched from the kitchen window and later described the scene as "the most beautiful expression of love I've ever seen."

___

Jackson spent the final months of his life in a rented mansion in the upscale Holmby Hills section of Los Angeles.

The mansion had all the amenities fit for a pop superstar ? a palatial entryway, staircase and parlor and in the basement, a home theater and dance studio.

The house was a hub of activity, with security guards posted outside, a pair of housekeepers, a nanny for the children and on many days, a personal chef stationed in the kitchen.

Dinners at the home occasionally featured special guests, including Jackson's personal physician Conrad Murray and choreographer Travis Payne.

But staffers and guests other than Murray weren't allowed upstairs, where the bedrooms were. When Chase wanted to prepare a soul food menu for Jackson and his children, she wrote him a note in Magic Marker and left it at the foot of the stairs.

AEG Live's lead defense attorney has pointed to the secrecy of Jackson's upstairs lifestyle ? where the superstar was receiving nightly doses of the anesthetic propofol in his locked bedroom ? to support the company's contention it couldn't have known about Jackson's drug treatments.

___

Having a stable home for his children was a major motivation for Jackson returning to the concert stage, AEG executives say.

After his acquittal of child molestation charges in 2005, Jackson had become a nomad, spending time in various cities, including Las Vegas, often staying with friends.

"He wanted his kids to have a permanent place to live and a sense of community," AEG Live CEO Randy Phillips recalled Jackson telling him during one meeting held while the family was living in the guesthouse of a rich benefactor.

It was Halloween and the children darted in and out of the rooms, wearing masks. Later that night, they'd go with their father to a party at Elizabeth Taylor's home.

"I felt incredibly bad that this incredible star was at this point where he couldn't buy a house," Phillips said.

___

Jackson was always a magnet for photographers and fans, but he managed to sneak his children into a movie just weeks before his death.

The family and a few others went to see the animated film "Up" at the El Capitan Theatre on a touristy stretch of Hollywood Boulevard.

They came in a back door and remained in a private room while moviegoers filed into the theater. When everyone else was seated, the entourage, including his longtime makeup artist Karen Faye, director Kenny Ortega and others, hit up the concession stand.

The group watched the movie without distraction. "No one knew Michael was there," Faye recalled.

___

Jackson and choreographer Travis Payne were scheduled to rehearse one-on-one several days a week in the dance studio that was in the basement of Jackson's mansion.

It's unclear how often the pair worked out, but when they did they often had a companion, 7-year-old Blanket. He liked to watch his father dance, Payne later recalled, and tried to always stay close to his dad. During their workouts, Payne said Jackson talked to his son, mentoring him.

Preparations for the shows meant that Jackson was frequently out of the house at meetings, film shoots or rehearsals. When he returned home, Prince, Paris and Blanket would rush their father.

"They would take off like lightning," Chase recalls, "... and grab him around the ankles and around the waist."

They'd be hanging off of him, not unlike a picture shown to jurors during opening statements.

In the photo, Jackson was handing Blanket, then a newborn, to President Bill Clinton. Clinging to Jackson's right leg was Paris.

___

When it came time for a science project, Paris settled on studying snails.

She enlisted Chase to help her find snails in the mansion's backyard. The pair carried large flashlights and found several of the slimy creatures and prepared to bring them inside.

Jackson was waiting for them.

"At this point, I knew I was going to get fired," Chase recalled.

The singer looked at the snails and had a different reaction ? he helped make them a home.

The snails ended up in jars made cozier by moss in the bottom and tiny cocktail umbrellas. They lived on the kitchen counter, not far from other reminders of the children.

Blanket's colorings hung on the refrigerator.

On a chalkboard where Chase would write out menus, Paris scrawled a message that remained on the board the day her father died.

"I love daddy," the 11-year-old wrote. "Smile, it's free."

___

Anthony McCartney can be reached at http://twitter.com/mccartneyAP

Source: http://news.yahoo.com/trial-provides-portrait-jackson-father-154431713.html

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Please Don't Ruin Instagram With Crappy Videos

Please Don't Ruin Instagram With Crappy Videos

An Instagram photo carries a certain artificial heft to it. There's a sense of importance, or at least permanence, to the photos we post to these accounts that you don't get from tweets or even status updates on Facebook. Instagram isn't naturally this way; it's developed this weight because everything on Instagram is beautiful. And with the addition of video, we've got a wonderful opportunity to make the platform more interesting?but we have to be careful.

One of the great joys of Instagram until now has been the lazy scroll. Fire up the app, and just swipe and swipe and swipe and passively take it all in while the colors and shapes sail past your eyes. You pause every so often to like something or make a comment, but the pleasure is never interrupted. The problem of video was apparent when, immediately after getting video, people started posting videos of their desks (a phenomenon we also saw with Vine).

Video is a different medium than photography, and if we start taking videos on Instagram the way we have for YouTube, Snapchat, Vine, et al, our feeds will become polluted with crap. Because unlike those other services, there's already something in place that we like a lot.

Here are a few simple tips to keep the quality high.

Don't broadcast, curate

People have been posting videos to the Internet forever, and the last thing we need is just another place to post videos of your view out the window while you're driving down the highway or waiting in line at the post office. Instagram is everyone's prettiest corner of the internet, free from the clutter and noise of other areas, generally just more beautiful and thoughtful. When you go back to your Instagram history it should be a museum-grade gallery of awesome.

Which is easy to say! But the message, basically, is to treat videos with just as much scrutiny as you'd use for an image on Instagram.

15 seconds is, like, an Internet eternity

This is critical. Let's try to keep our videos concise. You don't need to use the full 15-seconds just because you can. It's tempting to just sit there and record and record. Think about the terse eloquence of gifs. Don't waste my time. You don't want someone to sit there for 15 seconds and then feel pissed off.

Only post things that can lick themselves

It's a well established fact that sunsets, food, and animals are the ideal subject matter for Instagram photos. This is not the case for video. If I'm deliberately watching a video on the Internet, there better be at least the possibility that whatever I'm looking will at some point be licking something else or licking itself. If not, I'm not interested in looking at for more than one frame. That means only take videos of pets. And maybe people. Possible exceptions for food items that are at risk of exploding, collapsing, or contain moving pieces.

Source: http://gizmodo.com/please-dont-ruin-instagram-with-crappy-videos-534457325

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Saturday, June 8, 2013

Canadian Chamber of Commerce Webinar: Finding Labour Market ...

June 7, 2013

This webinar will will help you access data to find the skilled workers your business needs.

Canadian Chamber of Commerce

Attracting and retaining skilled workers in a tightening labour market is a major concern for many employers. Labour market information (LMI) can help them address that concern. For businesses looking to expand or adjust to market changes, LMI is valuable to making business and location decisions.

Employers are especially interested in the labour market information for their community and want to understand the availability of workers, the current market conditions and where to find workers with specific skills. LMI can support all those needs and assist with human resource planning. Unfortunately, many employers have difficulties finding the LMI they need to support their decision-making.

This webinar will address these challenges and needs and will help you access data that will allow you to find the skilled workers your business needs. Experts from Human Resources and Skills Development Canada will take you on a step-by-step tour of the LMI resources available on?WorkingInCanada.gc.ca?andJobBank.gc.ca. Presenters will give you an overview of what data exists and where it comes from, known gaps and work currently underway to improve LMI and its dissemination. They will also show you how to use the tools available online and answer any questions you may have.

We hope you will join us for this informative session.

Presenters

  • Jean-Fran?ois Bussi?res, Senior Policy Strategist
  • Annie Champagne, Senior Project Analyst

Working in Canada and Job Bank Division Skills and Employment Branch Human Resources and Skills Development Canada

Register here

Chinese president: My country also hit by hackers (cbsnews)

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